The Army relief—shown on the left—was later described as “an explosion of action.” It features a central figure (who resembles Macmonnies) leading a rearing horse. . .
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The U.S. expat sculptor Frederick William Macmonnies—who lived in Paris from 1884-1915—would certainly have been known to Julia by reputation. When he arrived there in 1884, he took. . .
Julia and her young charge, Sara Whitney, shared a single room in a French family’s flat while searching for a better residence. Julia wrote to her cousins on October 12, 1897: “How many fifth story, fourth story. . .
During her first year in Paris (1896-97), Julia lived at the American Girls Club at 4 rue de Chevreuse. Though it provided a safe haven for many young female artists, this rambling 18th-century building was far from ideal. . .
A few of the birthday greetings Julia received from her family still survive. They were mailed to her in Paris, where she was studying architecture. Her mother Eliza. . .
Julia’s sister Emma sent her a novel for her twenty-ninth birthday, writing on January 6, 1901: “I wish you ever so many happy Birthdays and this one too – trusting in some way that you may have. . .
Though Julia’s brother Avery did not arrive in Paris until nine months after she had attended Cyrano de Bergerac, he may have been able to watch a brief portion… Read more »
Julia and her friends occasionally went to the theater in Paris, where she saw great actors perform their signature roles, including Sarah Bernhardt playing Hamlet and Constant Coquelin playing Cyrano. . .
Julia struggled through her first icy winter in Paris. She was thrilled to see the first signs of spring, writing to the LeBruns on March 1, 1897: “The weather is beginning to brighten, these days. . .
Julia occasionally allowed herself a day of sightseeing, amidst her strenuous preparations for the École des Beaux-Arts’ entrance exams. On Easter Sunday in 1897, she showed a young female visitor. . .
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